Top Swoon-Worthy Scenes from 'Fifty Shades of Grey' that should make it Into the Movie [PHOTOS]

E.L. James' best-selling erotica novel has been and continues to become the talk of the tinsel town. Despite being dubbed "mommy porn" and being banned from over a hundred bookshelves in the US, "Fifty Shades of Grey" has been sold to over 10 million people worldwide.

Lionsgate is already in the works for the film adaptation but while things still aren't set on stone, then here are a few swoon-worthy scenes that should make into the film.

Based on the "Twilight" series written by Stephanie Meyer, "Fifty Shades of Grey" is basically a romance novel with a darker twist. Filled with S&M and BDSM-filled "action-pumping" scenes, the trilogy follows the whirlwind romance of Anastasia Steele and Christian Grey. It revolves around the story of 22-year old, Ana who agrees into a contract of being a submissive to the brooding and handsome, Christian Grey.

While the romance is enough to keep readers hooked, it is the pages that follow right after the toe-curling scenes that makes it harder to put the book down. From shackles to a red room, Christian and Ana's romance has put Edward and Isabella's to shame.

The film adaptation might be a long way to go but this has not stopped addicted fans from creating lists of potential actors and actresses to take on the lead roles.

The cast may be one vital part but it always boils down to the scenes that should be in the film. Click on the slideshow and check out the top swoon-worthy scenes that should make it into the film, "Fifty Shades of Grey". Spoiler Alert for those who still have not read the books.

“Miss Kavanagh is indisposed, so she sent me. I hope you don’t mind, Mr. Grey.”
“And you are?” His voice is warm, possibly amused, but it’s difficult to tell from his impassive expression. He looks mildly interested, but above all, polite.
“Anastasia Steele. I’m studying English Literature with Kate, um… Katherine… um… Miss Kavanagh at Washington State.”
“I see,” he says simply. I think I see the ghost of a smile in his expression, but I’m not sure.
“Would you like to sit?” He waves me toward a white leather buttoned L-shaped couch.
His office is way too big for just one man. In front of the floor-to-ceiling windows, there’s a huge modern dark-wood desk that six people could comfortably eat around. It matches the coffee table by the couch. Everything else is white – ceiling, floors, and walls except, on the wall by the door, where a mosaic of small paintings hang, thirty-six of them arranged in a square. They are exquisite – a series of mundane, forgotten objects painted in such precise detail they look like photographs. Displayed together, they are breathtaking.

Saturday at the store is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton, John and Patrick – the two other part-timers – and I are all rushed off our feet. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the till discreetly eating my bagel. I’m engrossed in the task, checking catalogue numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I check the entries match. Then, for some reason, I glance up… and find myself locked in the bold gray gaze of Christian Grey who’s standing at the counter, staring at me intently.
Heart failure.
“Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense.

The Heathman is nestled in the downtown heart of Portland. Its impressive brown stone edifice was completed just in time for the crash of the late 1920s. José, Travis, and I are traveling in my Beetle, and Kate is in her CLK, since we can’t all fit in my car. Travis is José’s friend and gopher, here to help out with the lighting. Kate has managed to acquire the use of a room at the Heathman free of charge for the morning in exchange for a credit in the article. When she explains at reception that we’re here to photograph Christian Grey CEO, we are instantly upgraded to a suite. Just a regular-sized suite, however, as apparent¬ly Mr. Grey is already occupying the largest one in the building. An over-keen marketing executive shows us up to the suite – he’s terribly young and very nervous for some reason. I suspect it’s Kate’s beauty and commanding manner that disarms him, because he’s putty in her hands. The rooms are elegant, understated, and opulently furnished.
….
Holy Crap! He’s wearing a white shirt, open at the collar, and grey flannel pants that hang from his hips. His unruly hair is still damp from a shower. My mouth goes dry looking at him… he’s so freaking hot. Grey is followed into the suite by a man in his mid-thirties, all buzz-cut and stubble in a sharp dark suit and tie who stands silently in the corner. His hazel eyes watch us impassively.

“Ana, there’s a package for you.” Kate is standing on the steps up to the front door holding a brown paper parcel. Odd. I haven’t ordered anything from Amazon recently. Kate gives me the parcel and takes my keys to open the front door. It’s addressed to Miss Anastasia Steele. There’s no sender’s address or name. Perhaps it’s from my mom or Ray.
“It’s probably from my folks.”
“Open it!” Kate is excited as she heads into the kitchen for our ‘Exams are finished hurrah Champagne’.
I open the parcel, and inside I find a half leather box containing three seemingly identi¬cal old cloth-covered books in mint condition and a plain white card. Written on one side, in black ink in neat cursive handwriting, is:

I recognize the quote from Tess. I am stunned by the irony as I’ve just spent three hours writing about the novels of Thomas Hardy in my final examination. Perhaps there is no irony… perhaps it’s deliberate. I inspect the books closely, three volumes of Tess of the D’Urbervilles. I open the front cover. Written in an old typeface on the front plate is:
‘London: Jack R. Osgood, McIlvaine and Co., 1891.’
Holy shit - they are first editions. They must be worth a fortune, and I know immedi¬ately who’s sent them. Kate is at my shoulder gazing at the books. She picks up the card.

Drinking in the cool evening air in the parking lot makes me realize how drunk I am. My vision has been affected, and I’m really seeing double of everything like in old re-runs of Tom and Jerry Cartoons. I think I’m going to be sick. Why did I let myself get this messed up?
“Ana,” José has joined me. “You okay?”
“I think I’ve just had a bit too much to drink.” I smile weakly at him.
“Me too,” he murmurs, and his dark eyes are watching me intently. “Do you need a hand?” he asks and steps closer, putting his arm around me.
“José I’m okay. I’ve got this.” I try and push him away rather feebly.
“Ana, please,” he whispers, and now he’s holding me in his arms, pulling me close.
“José, what you doing?”
“You know I like you Ana, please.” He has one hand at the small of my back holding me against him, the other at my chin tipping back my head. Holy fuck… he’s going to kiss me.
“No José, stop – no.” I push him, but he’s a wall of hard muscle, and I cannot shift him. His hand has slipped into my hair, and he’s holding my head in place.
“Please, Ana, cariña,” he whispers against my lips. His breath is soft and smells too sweet – of margarita and beer. He gently trails kisses along my jaw up to the side of my mouth. I feel panicky, drunk, and out of control. The feeling is suffocating.
“José, no,” I plead. I don’t want this. You are my friend, and I think I’m going to throw up.
“I think the lady said no.” A voice in the dark says quietly. Holy shit! Christian Grey, he’s here. How? José releases me.