Human Anatomy
A BODY WORLDS exhibition that features real human remains heads to London this week, but questions over whether donors gave consent for their bodies to be displayed in sexualised poses The New York Public Library/Unsplash

A BODY WORLDS exhibition featuring real human remains is heading to London this week amid renewed questions over whether donors gave sufficiently informed consent for their bodies to be displayed in sexualised poses.

The debate follows the Sydney presentation of BODY WORLDS: The Anatomy of Happiness, where anatomy expert Dr Joyce El-Haddad questioned whether signing a donation form necessarily meant donors understood the full range of ways their remains could later be displayed.

Dr El-Haddad, a senior lecturer in anatomy and histology at the University of New South Wales, raised the issue after seeing the exhibition in Sydney. She questioned whether donors knew their bodies could be arranged in what she described as penetrative sexual positions, alongside more conventional poses such as riding a horse or playing basketball.

Her concern was not simply whether the bodies had been donated, but whether consent covered the specific manner in which they would ultimately be presented.

The London exhibition, at Sussex Mansions on Old Brompton Road, opens on 25 September and runs until 21 March 2027. Organisers say the exhibition uses real specimens donated specifically for plastination and aims to show the connection between anatomy, emotions and happiness.

The wider BODY WORLDS programme says it has been seen by more than 58 million people in over 175 cities.

Why the Consent Question Has Returned

El-Haddad's criticism centres on the distinction between general consent to body donation and informed consent for particular forms of display.

In comments reported from the Sydney debate, she argued that consent should not be treated as simply a box to tick and questioned who donated the bodies, what they understood they were agreeing to and how specifically their consent covered possible displays.

That distinction has been debated by medical ethicists for years. A review published in Open Medicine noted that informed consent is a fundamental consideration in displaying donated human remains, but argued that consent alone does not resolve every ethical question surrounding the exhibition and commercial use of plastinated bodies.

What BODY WORLDS Says About Donor Consent

BODY WORLDS and the Institute for Plastination say informed consent is central to their programme.

The organisation says donors voluntarily register before death and receive information explaining what will happen to their bodies, while donors can specify whether their remains may be used for public exhibitions or restricted to medical teaching and training.

The organisation says more than 20,000 people are currently enrolled in its donation programme. It also says its donation programme has undergone independent reviews and audits, including checks of consent forms and death certificates.

BODY WORLDS also says the specimens displayed in its exhibitions come from people who agreed to donate their bodies for plastination. The exhibition's educational rationale is central to the organisers' position, with specimens positioned to demonstrate anatomy and movement and help visitors understand the human body.

Sexualised Displays Have Caused Controversy Before

The debate is not new. In 2009, a BODY WORLDS exhibition in Berlin displayed plastinated bodies in a sexual position, prompting criticism from German politicians and others.

Academic criticism has similarly focused on the boundary between anatomical education and spectacle.

Research published in Clinical Anatomy has examined questions around the positioning of bodies and the balance between education and entertainment, while the Open Medicine review noted continuing ethical debate over the public exhibition and commercialisation of human remains.

A separate academic analysis argued that while plastination can have legitimate educational value, the way whole bodies are posed can create additional questions about dignity and how the deceased are represented. These arguments concern the ethics of exhibition rather than establishing that BODY WORLDS has acted unlawfully.

Why the London Exhibition Matters

The London opening places that long-running ethical debate before a new audience. BODY WORLDS has already exhibited in London in previous years, but the new Anatomy of Happiness exhibition is presenting the concept through a different theme focused on emotion, health and the human body.

The organisers say the exhibition will help visitors understand how happiness and other emotions affect the body and mind. But the debate from Sydney means visitors may also be considering a different question: whether a donor's decision to give their body to science necessarily extends to every artistic or sexualised pose chosen after their death.

The ethical debate therefore includes questions about what donors were told, what they agreed to and how broadly their consent was intended to apply.

BODY WORLDS says its donors provide full and informed consent and are told about the potential uses of their bodies, while critics such as El-Haddad have questioned how specific that consent should be.