Ariana Grande
Instagram/arianagrande

Ariana Grande has quietly shed three years of Glinda-blonde to return to her signature brunette, a change she says lets her 'show up as the actress who played her' rather than the character herself. The switch, revealed in an intimate Instagram mirror selfie and explained in a televised interview ahead of the European launch of Wicked: For Good, arrived as Grande shifts promotional tone from whimsical to more atmospheric, matching the film's darker second chapter. Fashion choices and hairstyling across the press tour underscore the move: where she once extended Glinda in candy-coloured couture, she now leans into moodier, story-led looks with image architect Law Roach.

A Strategic Change, Not a Caprice

Grande framed the haircut as part of a storytelling decision rather than mere vanity.
In a conversation with Entertainment Tonight, she explained that during the first tour she celebrated Glinda 'on the nose' through clothes and hair; now she wants to stand as the actor who embodied the part and to 'play into the darker tones of the movie'.

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Ariana Grande is not that girl from the first ‘Wicked’ press tour. 💚🩷 #arianagrande #cynthiaerivo #wicked #wickedforgood

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The revelation came with a modest Instagram post, a mirror selfie captioned, 'it's good to see me, isn't it?', and was amplified when her colourist, Francesco De Chiar, reposted and celebrated the shift. The social media moment confirms the narrative: this is a deliberate, public return-to-self rather than an offhand fashion whim.

From Glinda's Bubble To A Darker Palette

The change is the latest chapter in a promotional arc that began when Grande lightened her hair for the role of Glinda in the two-part Wicked project.

She first went platinum for the character in 2022 and kept the lighter brows and blonde tones through awards season and the initial press run, a visual shorthand that tied her to Glinda's softness and theatrical iconography.

That approach paid off: the Glinda era has been a high-visibility, fashion-heavy campaign involving high couture and period costumes (including a 73-year-old Gilbert Adrian gown worn at the London premiere). But the new brunette era coincides with the marketing pivot for Wicked: For Good, a sequel whose trailers and festival screenings emphasise darker stakes, making Grande's return to brown feel narratively coherent.

Hair in Hollywood is shorthand; for Grande, it has been both prop and proxy.
Actors' physical choices often broadcast a message before words do, and Grande is explicit that her choice is performative in that sense. By reverting to brunette, she is signalling a release from character branding and a readiness to be read as an artist separate from the role.

Stylistic collaborators make that message legible. Law Roach, who worked with Grande for pieces teased ahead of the London screening, has described lengthy fittings and a curated palette that moves between moody noir and the franchise's emblematic green-and-pink. Those wardrobe decisions, paired with a darker hair colour, produce the visual grammar of a new chapter for both singer and film.

What Fans And Culture Make Of It

Online reaction has been immediate and noisy; fans describe the brunette return as a 'homecoming', while commentators parse it for relationship or career signals.
Social platforms amplified her post, hair-colourist praise, and subsequent red-carpet images, turning a private salon decision into a cultural moment within hours. That speed is typical in celebrity culture, but the meaning depends on Grande's own framing, which she provided in media interviews.

For cultural observers, the move is noteworthy because it illustrates how hair and styling can be used thoughtfully to mark transitions: from character to actor, from one promotional tone to another, and from one era of public persona to the next. In that sense, the makeover is both aesthetic and dramaturgical.

Grande's brunette pivot is therefore less about a seasonal trend and more about narrative control, a simple cosmetic shift that clarifies who is standing in front of the camera.