Kylie Jenner Branded 'King Auto Tune' After Debut Single Bombs
The Kylie Cosmetics founder's feature on Terror Jr's new single revives her 'King Kylie' persona

'King Kylie' is back — and her pop debut has ignited a frenzy of praise, parody and fierce online debate.
Kylie Jenner, the cosmetics entrepreneur and reality-TV figure, made a surprise musical entrance on 13 October 2025 when she was credited on Terror Jr's new single 'Fourth Strike', delivering a breathy, lower-register verse as part of a nostalgia-fuelled revival of her mid-2010s 'King Kylie' persona.
The track and accompanying lyric/video excerpt premiered on Jenner's official channels. They were rolled out alongside imagery from a limited-edition Kylie Cosmetics 'King Kylie' drop, making the record as much a brand moment as a musical one.
Within hours, the release sparked polarised reaction with some industry observers praising the pop production and clever branding; while many fans and critics ridiculed the vocal processing and dubbed Jenner the 'King of AutoTune'.
Official Release and the Collaboration
Jenner's contribution appears on 'Fourth Strike' alongside Los Angeles pop duo Terror Jr, whose 2016 single '3 Strikes' was long associated with Jenner's original Kylie Cosmetics era.
The collaboration was teased via Jenner's Instagram account, where she celebrated the drop and framed the feature as a 'full circle' moment after a decade of speculation linking her to the group.

Jenner's own public messaging left little mystery about intent. In an Instagram post, she wrote in excited, emphatic terms that she was 'soooooo nervous but so grateful' to be featured and referenced rumours from ten years earlier about her potential involvement with Terror Jr.
That statement — shared on her verified account and amplified across her social platforms — served to legitimise the feature as a conscious artistic move rather than a cameo.
Public Reaction: Praise, Mockery, and 'King AutoTune'
The response was immediate and fractious. Clips and streams circulated rapidly: some listeners praised the track's pulsing electro-pop production and Jenner's sultry, whisper-style delivery, with comparisons to contemporary whisper-pop stylings.
Others reacted with scorn, arguing the recording relied heavily on pitch correction and studio processing and mocking Jenner with the epithet 'King AutoTune'. The label stuck quickly in social posts and comment threads, reflecting a broader scepticism about celebrity crossovers into music.
Discussion on platforms including X (formerly Twitter), Threads, and Reddit tracked two clear threads: one that viewed the release as a well-executed branding exercise that delivered a catchy, distraction-proof ear-worm; another that saw it as emblematic of celebrity privilege — where access, production budgets, and marketing muscle can manufacture musical visibility regardless of established vocal credentials. Both narratives are visible in public posts that circulated within hours of the premiere.

Commercial Strategy and Brand Revival
Viewed strategically, the timing is telling. Jenner's 'Fourth Strike' appearance dovetails with a Kylie Cosmetics relaunch of the 'King Kylie' line and a flurry of nostalgic imagery; teal hair, crown aesthetics, and direct callbacks to the brand's 2014 launch.
Industry observers note this is a low-risk route into music: a feature on an established act that returns cultural capital (and streaming numbers) while cross-promoting consumer product lines. For a business whose core revenues are in beauty, the move reads as an integrated marketing play as much as a creative endeavour.
Historically, celebrity music ventures have produced an uneven commercial record. Jenner's mother, Kris Jenner, publicly celebrated the moment, while the marketing muscle behind the release guaranteed visibility across streaming playlists and social feeds within minutes.
That infrastructure, paid promotion, community managers, brand partnerships, is what turns a one-minute feature into a global cultural talking point; it is also why critics ask whether such moves expand artistic discourse or merely re-allocate attention.
Whether 'Fourth Strike' represents a genuine pivot into a long-term recording career or a savvy, short-form brand activation remains to be seen. For now, Jenner has opened the door to musical authorship on terms she controls: the stage name 'King Kylie', tight integration with product launches, and selective features rather than a full-length solo album.
That approach protects her business interests while testing the audience appetite. It has also forced a recurring cultural conversation about who gets to be heard, how authenticity is judged in an era of ubiquitous studio technology, and the currency of celebrity in contemporary pop music.
'Fourth Strike' may not settle the debate about celebrity music credibility, but it has emphatically renewed the 'King Kylie' story for a new generation.
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