'Trump Hates America': Nobel Economist Warns of Total 'Wreckage' as President's Imminent 'Downfall' Nears
Nobel laureate Paul Krugman draws parallels between Trump's actions and historical events, warning of potential damage as his political power wanes

Nobel laureate Paul Krugman has warned that President Donald Trump is 'dissociating as his political downfall nears' and may lash out, inflicting further damage on the country before losing power.
The economist's assessment, published on his Substack on Wednesday, centres on a single, unsettling claim, 'Trump hates America.'
Krugman's warning comes amid intensifying legal and political battles over Trump's signature White House project, a 90,000-square-foot ballroom that has already seen the East Wing demolished and is now 65% complete, according to Justice Department filings.
On 21 August, Chief Justice John Roberts temporarily allowed construction to continue while the Supreme Court considers whether Congressional approval was required, a move Trump hailed as vindication even as contractors estimate the total cost could exceed $600 million with taxpayers footing more than half.
Krugman's 'Downfall' Warning and the Nero Decree Parallel
Krugman opens his article by noting that Trump's ego-driven detachment from reality is hardly new, but argues the public still underestimates 'just how bad it can get' given the president's apparent psychological unravelling.
'He's not all there,' Krugman writes, adding that even before any escalation over Iran, Trump's provocations, insults and trade wars had already 'destroyed the world's trust in America.'
The economist then reaches for a chilling historical analogy, the German film Downfall, which depicts Adolf Hitler's final days. Krugman highlights Hitler's so-called Nero Decree, a plan to destroy German infrastructure as defeat loomed, not only to deny it to the Allies but to punish Germany itself for failing him.
'The parallels are there,' Krugman says, suggesting Trump is behaving like someone who knows his time in supreme power is ending but refuses to accept responsibility.
Instead, the President blames Democrats, Republicans, and 'everybody but him,' while fixating on construction projects that let him stamp his name across Washington, according to reporting by Maggie Haberman and Jonathan Swan, as cited by Krugman.
Yet the Nobel winner contends there is 'a lot of starting of stuff, but so far it's been mostly destruction, mostly tearing stuff down.'
White House Ballroom as Symbol of 'Wreckage'
For Krugman, the ballroom site encapsulates this dynamic. Where the East Wing once stood, there is now a hole and a sprawling construction zone that, in photos, shows the White House grounds scarred by what he describes as a mix of ballroom and UFC cage-match aesthetics. 'Basically, Trump has left, so far, wreckage in his wake,' he writes.
Even the elements that have not involved demolition, such as gilded statues and the 'horrific redecoration of the White House,' strike him as 'surpassingly ugly,' a reflection not just of poor taste but of aggression.
In Krugman's reading, Trump's response to a 33% approval rating is to make the nation's capital 'as ugly as I can in this little time as I possibly can.'

The broader context is familiar to anyone following the ballroom fight. The project, initially announced in July 2025 as a privately funded event space with bomb shelters and medical facilities, has grown into a national security-tinged complex with missile-resistant columns and a drone-proof roof, according to officials.
Trump insists taxpayers will pay 'ZERO Dollars,' while court documents and contractor estimates suggest public funds will cover more than half of a bill that could reach $600 million.
'Bear in mind that Trump hates America,' he writes, listing democracy, the rule of law and foundational values as objects of that hostility. Increasingly, he argues, it looks as if Trump 'just plain hates this country because it doesn't love him.'
'How much damage will he do? How much damage can he do?' Krugman asks, refusing a precise prediction but warning that the outcome could be 'even worse, even uglier... than most people imagine.'
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